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Dear,

in this section you will find some of the main mantras that we chant during ours  lessons.

There are many versions of the same mantra and you may come across recitations that are very different from what you are used to.  The differences mainly concern the melody, often linked to cultural factors, but sometimes there are differences concerning the syllables of which the mantra is composed.  

The proposed repertoire mainly refers to the Shivananda tradition, one of the great contemporary masters. I came into contact with this repertoire thanks to a dear friend and colleague, Cristina Rapisarda Sassoon.

During our practices the pronunciation of Sanskrit undergoes simplifications that do not detract from the effectiveness of our work and the strength of the final outcome: a mantra practice represents a real bath  sound  with purifying and harmonizing effects.

As well as in the practice of positions, also in the practice of mantras  it is good to rely on the principles of convenience and  no effort because  only in this way is it possible to open at  wonders  of the voice that gradually  it reveals its mysteries and the enchantment of being pervaded  from the inner silence generated by the sound itself.

This year there are two MANTRA MEDITATIVE PRACTICES scheduled (December 6 and May 15) to which I hope to see you all:  singing together generates cohesion and subtle bonds,  allows  to support each other in practice,  to test the effects  of prolonged immersion in sound and, last but not least, of giving our voice to all fellow travelers.  

With the hope of a good exploration  voice and good practice,

Rossana

SO HAM

MRTYUNJAYA MAHA  MANTRA

JAYA GANESHA DEVA

NAMO'STU TE

BANSURI

KRISNA GOPALA

SHIVA SHAMBO

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